October 16, 2015
5 min read

SONiC Composer Spotlight - Andy Akiho

Described as “mold-breaking,” “alert and alive,” “dramatic,” and “vital” by The New York Times, Andy Akiho is an eclectic composer and performer of contemporary classical music. Last year Andy won ACO's 2014 Annual Underwood Emerging Composers Commission for his piece Tarnished Mirrors. For his commission he has composed a revised and expanded version of the piece, which will receive its premiere tonight, 8pm, at ACO: New York Stories, SONiC Festival's free concert at the Winter Garden at Brookfield Place, presented by WNYC New Sounds Live.

Andy was kind enough to answer a few questions for the SoundAdvice blog.


Composer and steel drum player Andy Akiho
American Composers Orchestra: For your commission, you have revised and expanded Tarnish Mirrors for its premiere at ACO: New York Stories. Can you tell us a little bit about how the piece has changed since its original reading?
Andy Akiho: I expanded the piece into two continuous movements. A lot of the music from the original first movement is the same, but the orchestration has changed. Now there is a very prominent celesta part in conversation with the harp and percussion throughout the work, and the steel pan has been taken out of the original percussion part.

ACO: You are an accomplished steel drum player as well as a composer, and have written many pieces for the instrument. Have you found that this has influenced your approach to writing for orchestra at all? If so in what ways?
AA: The steel pan is my piano for composing. I often come up with my melodic and harmonic ideas using the steel pan because it is the instrument I know best (I cannot play the piano). However, recently I have written away from the instrument more frequently to challenge myself and bring more variety to my compositions.

ACO: Aside from New York Stories of course, which SONiC Festival concert are you most looking forward to?
AA: Unfortunately, I am missing the shows starting on the 17th because I am flying to Beijing that day. If I were in town, I would definitely catch all of the SONiC concerts because they are all so diverse, and I would like to hear what many of my friends are performing and composing. I will be in town for the opening night on the 15th, and I'll be sure to catch the Music from the Copland House show: I am looking forward to hearing new chamber pieces by Reena, Steve, Viet, Michael, and Gity. I am also excited that the SONiC Festival is presenting shows at National Sawdust!

American Composers Orchestra is grateful to the many organizations that make its programs possible, including the Aaron Copland Fund for Music, Alice M. Ditson Fund of Columbia University, Altman Foundation, Amphion Foundation, Arthur F. & Alice E. Adams Charitable Foundation, BMI Foundation, BMI, Inc., CANVAS, Cheswatyr Foundation, Cornelia T. Bailey Foundation, Edward T. Cone Foundation, Fan Fox and Leslie R. Samuels Foundation, Ford Foundation’s Good Neighbor Committee, Francis B. Goelet Charitable Trust, Frederick Loewe Foundation, Fromm Music Foundation, G. Schirmer/Wise Music Foundation, Give Lively Foundation, Gladys Krieble Delmas Foundation, the Hearst Foundation, Howard Gilman Foundation, Jephson Educational Trusts, Jerome Foundation, Koret Foundation, the League of American Orchestras, MacMillan Family Foundation, the Mayor’s Office of Media and Entertainment, Mellon Foundation, Neiman Marcus, New Music USA’s Organization Fund, the New York Community Trust (Musical Arts Fund, Clara Lewisohn Rossin Trust, and Edward and Sally Van Lier Fund), Pacific Harmony Foundation, PayPal Giving Fund, Sphinx Venture Fund, Steven R. Gerber Trust, TD Charitable Foundation, Turrell Fund, and the Virginia B. Toulmin Foundation.

Public funds are provided by the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, Office of Brooklyn Borough President Reynoso, and the National Endowment for the Arts.

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