October 18, 2010
5 min read

Playing it UNsafe

We're excited to start our series of workshops today for Playing It UNsafe, the first and only professional research and development lab to support the creation of cutting-edge new American orchestral music through no-holds-barred experimentation, encouraging composers to do anything but “play it safe.”

The Playing It UNsafe program that starts today will last throughout the entire season, and includes a series of laboratory workshops and public readings, culminating in a concert on March 4, 2011 in Carnegie Hall's Zankel Hall. This afternoon, audiences will have their first opportunity to see and hear the composers’ works-in-progress at the opening lab workshop.

The composers participating in Playing It UNsafe are Sean Friar, David Heuser, Joan La Barbara, Laura Schwendinger, and Henry Threadgill, selected from a national search for their willingness to experiment and stretch their own musical sensibilities, and their ability to test the limits of the orchestra. Playing It UNsafe grew out of ACO’s ongoing mission to commission and perform new music that expands the range of possibilities for – and challenges conventional notions about – orchestral music.

In the coming weeks, Laura Schwendinger and Sean Friar will be joining us here at Sound Advice to write about their experiences with the program. Until then, you can find more information about Playing it UNsafe and read about each piece at http://www.americancomposers.org/unsafe/.


American Composers Orchestra is grateful to the many organizations that make its programs possible including Arthur F. & Alice E. Adams Charitable Fund, Altman Foundation, Amphion Foundation, Benevity, Aaron Copland Fund for Music, BMI Foundation, BMI, Inc., Charity Navigator's Giving Basket, Cheswatyr Foundation, Edward T. Cone Foundation, Communities Foundation of Texas, The Gladys Krieble Delmas Foundation, Alice M. Ditson Fund of Columbia University, Fan Fox and Leslie R. Samuels Foundation, Ford Foundation’s Good Neighbor Committee, Give Lively, Francis B. Goelet Charitable Trust, Fromm Music Foundation, Steven R. Gerber Trust, G. Schirmer/Wise Music Foundation, The Hearst Foundation, Howard Gilman Foundation, The Adele and John Gray Endowment Fund, Jephson Educational Trusts, Jerome Foundation, MacMillan Family Foundation, Mellon Foundation, New Music USA’s Organization Fund, The New York Community Trust (Musical Arts Fund, Clara Lewisohn Rossin Trust, and Edward and Sally Van Lier Fund), Pacific Harmony Foundation, Paypal Giving Fund, Rexford Fund, Sphinx Venture Fund, TD Charitable Foundation, Turrell Fund, UKOGF Foundation, Virginia B. Toulmin Foundation.

Corporate gifts to match employee contributions are made by Goldman Sachs, Deutsche Bank, Triton Container International Incorporated of North America, and Neiman Marcus.

Public funds are provided by the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, Office of Brooklyn Borough President Reynoso, and the National Endowment for the Arts.

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