October 17, 2013
5 min read

Orchestra Underground: Adding Fuel to the Fire Composer Spotlight – Composer Fred Lerdahl

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Composer Fred Lerdahlwill help launch American Composers Orchestra’s new season with his composition Spirals, which will be performed at ACO’s Orchestra Underground: Adding Fuel to the Fire concert on Friday, October 25, 7:30PM at Zankel Hall, Carnegie Hall.  Fred Lerdahl wrote to ACO about the inspiration for his composition and the challenges he faced in creating Spirals.


American Composers Orchestra: What was the inspiration for your composition?  Can you tell us about your creative process for this piece?

Fred Lerdahl: My initial inspiration was a restless flurry of rocking fast notes bouncing off a harmonic progression in search of resolution. This idea evolved into the energetic and brilliant first movement. My second inspiration was to create a piece in which the entire texture and form emerged from a lyrical, expressive, and increasingly urgent melody. This idea grew into the second movement. I developed these ideas using my spiral method of composition, in which a simple idea gradually proliferates into a complex form.


ACO: Did you encounter any unusual challenges in writing this work? If so what were they and how did you resolve them?

FL: Initially I tried to combine the two inspirations within a single movement; but they needed separate development, so Spirals ended up in two movements. It took me awhile to realize that two movements were necessary. I built the melody of the second movement out of the harmonies of the first, so that the two movements exist in a complementary relationship.


A particular challenge was my wish to reverse, a little over halfway through each movement, the outward spiraling process into an inward, collapsing spiral, while at the same time continuing the development of musical material. The great intensity of Spiralsis a consequence of these opposing forces.


ACO: What are you looking forward to about the performance of your piece at Carnegie Hall by the American Composers Orchestra?

FL: ACO is a marvelous ensemble, and I have never worked with the distinguished conductor Robert Spano. I am eager to hear Spiralsunder such excellent conditions.


ACO: What should the audience listen for during your piece?

FL: Spirals is a colorful and expressive piece. Listen attentively and without preconceptions.



American Composers Orchestra is grateful to the many organizations that make its programs possible, including the Aaron Copland Fund for Music, Alice M. Ditson Fund of Columbia University, Altman Foundation, Amphion Foundation, Arthur F. & Alice E. Adams Charitable Foundation, BMI Foundation, BMI, Inc., CANVAS, Cheswatyr Foundation, Cornelia T. Bailey Foundation, Edward T. Cone Foundation, Fan Fox and Leslie R. Samuels Foundation, Ford Foundation’s Good Neighbor Committee, Francis B. Goelet Charitable Trust, Frederick Loewe Foundation, Fromm Music Foundation, G. Schirmer/Wise Music Foundation, Give Lively Foundation, Gladys Krieble Delmas Foundation, the Hearst Foundation, Howard Gilman Foundation, Jephson Educational Trusts, Jerome Foundation, Koret Foundation, the League of American Orchestras, MacMillan Family Foundation, the Mayor’s Office of Media and Entertainment, Mellon Foundation, Neiman Marcus, New Music USA’s Organization Fund, the New York Community Trust (Musical Arts Fund, Clara Lewisohn Rossin Trust, and Edward and Sally Van Lier Fund), Pacific Harmony Foundation, PayPal Giving Fund, Sphinx Venture Fund, Steven R. Gerber Trust, TD Charitable Foundation, Turrell Fund, and the Virginia B. Toulmin Foundation.

Public funds are provided by the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, Office of Brooklyn Borough President Reynoso, and the National Endowment for the Arts.

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