Intensity
So I think that I survived the Earshot readings with the Colorado Symphony Orchestra. I made it to Chicago for some decompression (via a summer rock festival) and I feel lighter and heavier at the same time. The reason that I feel lighter is because the readings are over, but I feel heavier due to a sense of accomplishment and knowledge gained.
Firstly I want to thank (in no particular order) Lyn, Michael, John, Roberto, Robert, Derek, Ed,
Delta David, Fergus, and the performers and staff of the CSO for such an immensely gratifying experience. Although my piece was completed two years ago, the reading sessions finally provided the necessary opportunity to learn what I needed to learn. I was successful with some of my ideas and visions, and others left me flat on my face. Ironically (or ironically not?), it was the adherence to my ideas with a ham fist and vise-grip that caused the most problems.
That leads to my assessment of the nature of what ACO and Earshot are trying to accomplish. The least successful elements of my piece were the result of relying too much on my mind's ear and my ideology. The orchestra is a living, breathing, imperfect organism, and writing for orchestra requires skill, preparedness, and efficiency. Although imagination, sincerity and humanity are what I value the most in art, I learned firsthand that these facets must be focused and distilled properly with such a large and varied ensemble. If modern orchestral music is to evolve, then composers must have room to grow through hearing their music. So hats off to Earshot: we need you now more than ever!
Lastly, I want to thank Angel Lam, Tim Sullivan and Yotam Haber for their support. It was quite humbling (after all, humble pie is the very best flavor) to be chosen to participate with three incredibly talented, kind, interesting and supportive people. I felt a strong kinship with them and am quite floored to be one of their peers.
Oh, and let's not forget Jessie for her selfless early morning airport runs. She deserves a medal.
Bye Denver!
-Jeremy Podgursky
caption:
1. Jeremy Podgursky applauds the orchestra at the close of reading his work Our Bliss, It Comes in Waves.
American Composers Orchestra is grateful to the many organizations that make its programs possible including Arthur F. & Alice E. Adams Charitable Fund, Altman Foundation, Amphion Foundation, Benevity, Aaron Copland Fund for Music, BMI Foundation, BMI, Inc., Charity Navigator's Giving Basket, Cheswatyr Foundation, Edward T. Cone Foundation, Communities Foundation of Texas, The Gladys Krieble Delmas Foundation, Alice M. Ditson Fund of Columbia University, Fan Fox and Leslie R. Samuels Foundation, Ford Foundation’s Good Neighbor Committee, Give Lively, Francis B. Goelet Charitable Trust, Fromm Music Foundation, Steven R. Gerber Trust, G. Schirmer/Wise Music Foundation, The Hearst Foundation, Howard Gilman Foundation, The Adele and John Gray Endowment Fund, Jephson Educational Trusts, Jerome Foundation, MacMillan Family Foundation, Mellon Foundation, New Music USA’s Organization Fund, The New York Community Trust (Musical Arts Fund, Clara Lewisohn Rossin Trust, and Edward and Sally Van Lier Fund), Pacific Harmony Foundation, Paypal Giving Fund, Rexford Fund, Sphinx Venture Fund, TD Charitable Foundation, Turrell Fund, UKOGF Foundation, Virginia B. Toulmin Foundation.
Corporate gifts to match employee contributions are made by Goldman Sachs, Deutsche Bank, Triton Container International Incorporated of North America, and Neiman Marcus.
Public funds are provided by the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, Office of Brooklyn Borough President Reynoso, and the National Endowment for the Arts.
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