June 5, 2012
5 min read

Day 3: Benjamin Taylor - Underwood New Music Readings: From the Composer

DAY 3: Thoughts on Underwood New Music Readings

by Benjamin Taylor

 

This morning's session with the mentor composers and George Manahan was an informal time for us composers to get feedback on our pieces.  This was an honest, open time where the mentor composers equally praised my work and gave me wonderful critique.  I found it fascinating that in many cases, they were able to articulate a problem in my piece that I had previously only felt on a gut level and not been able to put my finger on.  I appreciated that they not only pointed out problems, but were also quick to provide possible solutions to help resolve issues the piece was having.  I'm coming away from this morning's session with a much clearer outlook on orchestration, harmony, form, texture, counterpoint and "seizing musical opportunities."  After the session, and a few pictures, we said our goodbyes.  I think it is fair to say that it felt like we'd been together for much more than 2 days.  It felt more like a few weeks!  Making music together and talking about our music together on a deep, intimate level has forged friendships of admiration and respect among all of us who participated.  I'm super motivated to go and write great music!  

American Composers Orchestra is grateful to the many organizations that make its programs possible, including the Aaron Copland Fund for Music, Alice M. Ditson Fund of Columbia University, Altman Foundation, Amphion Foundation, Arthur F. & Alice E. Adams Charitable Foundation, BMI Foundation, BMI, Inc., CANVAS, Cheswatyr Foundation, Cornelia T. Bailey Foundation, Edward T. Cone Foundation, Fan Fox and Leslie R. Samuels Foundation, Ford Foundation’s Good Neighbor Committee, Francis B. Goelet Charitable Trust, Frederick Loewe Foundation, Fromm Music Foundation, G. Schirmer/Wise Music Foundation, Give Lively Foundation, Gladys Krieble Delmas Foundation, the Hearst Foundation, Howard Gilman Foundation, Jephson Educational Trusts, Jerome Foundation, Koret Foundation, the League of American Orchestras, MacMillan Family Foundation, the Mayor’s Office of Media and Entertainment, Mellon Foundation, Neiman Marcus, New Music USA’s Organization Fund, the New York Community Trust (Musical Arts Fund, Clara Lewisohn Rossin Trust, and Edward and Sally Van Lier Fund), Pacific Harmony Foundation, PayPal Giving Fund, Sphinx Venture Fund, Steven R. Gerber Trust, TD Charitable Foundation, Turrell Fund, and the Virginia B. Toulmin Foundation.

Public funds are provided by the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, Office of Brooklyn Borough President Reynoso, and the National Endowment for the Arts.

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