July 6, 2009
5 min read

Christmas in July

Coordinating the logistics and practicalities of performances and readings of new music can be exhilarating... it can also be quite a bit of intense and occasionally frustrating work. All of the detail work of coordinating schedules, tracking parts, making sure bowings are handled, can sometimes - for a brief second - distract from the excitement of what it is that is actually happening.


There is one part of this job that has consistently been fun, however. Once we've determined the selected participants I get the job of calling them to tell them they've been selected. This is indescribably fun. It is a little bit like telling someone they've just won a new car or the lotto. I've had every reaction from people when I've given them news to let them know they've been selected: ranging from stunned silence or quiet graciousness to out and out laughing/screaming/yelling. Our develolpment director once said to me "I'm so jealous that you get to do that! I want to call them! It's like you get to be Santa Claus for these composers!"
Im pretty ok with this image. Merry Christmas in July.

-John Glover, Ops Manager

American Composers Orchestra is grateful to the many organizations that make its programs possible, including the Aaron Copland Fund for Music, Alice M. Ditson Fund of Columbia University, Altman Foundation, Amphion Foundation, Arthur F. & Alice E. Adams Charitable Foundation, BMI Foundation, BMI, Inc., CANVAS, Cheswatyr Foundation, Cornelia T. Bailey Foundation, Edward T. Cone Foundation, Fan Fox and Leslie R. Samuels Foundation, Ford Foundation’s Good Neighbor Committee, Francis B. Goelet Charitable Trust, Frederick Loewe Foundation, Fromm Music Foundation, G. Schirmer/Wise Music Foundation, Give Lively Foundation, Gladys Krieble Delmas Foundation, the Hearst Foundation, Howard Gilman Foundation, Jephson Educational Trusts, Jerome Foundation, Koret Foundation, the League of American Orchestras, MacMillan Family Foundation, the Mayor’s Office of Media and Entertainment, Mellon Foundation, Neiman Marcus, New Music USA’s Organization Fund, the New York Community Trust (Musical Arts Fund, Clara Lewisohn Rossin Trust, and Edward and Sally Van Lier Fund), Pacific Harmony Foundation, PayPal Giving Fund, Sphinx Venture Fund, Steven R. Gerber Trust, TD Charitable Foundation, Turrell Fund, and the Virginia B. Toulmin Foundation.

Public funds are provided by the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, Office of Brooklyn Borough President Reynoso, and the National Endowment for the Arts.

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