April 26, 2013
5 min read

Buffalo Philharmonic Orchestra: Jazz Composers Orchestra Institute - Dave Wilson: Day 1

Dave Wilson in the Hotseat

I'm sitting here in our meeting room at the Buffalo Philharmonic, waiting for the beginning of the readings in forty-five minutes. In about ten minutes, I'll have my final meeting with the conductor (which will last about five minutes), to go over any last minute notes or changes. Hearing my piece played for the first time yesterday was an incredible learning experience--from the first moment I began to understand even better how to clearly communicate my musical ideas in a way translatable to a symphony orchestra. Yesterday, musicians from each section met with us and gave us some immensely helpful input on how to make our parts even more easy to read. Throughout my music career I've usually worked as a player in situations like this, so hearing players communicate about issues of concern to orchestral musicians was refreshing and helped me connect even more to compositional and notation strategies for more effective communication of my musical ideas. I'm looking forward to the reading, and I'm sure I'll continue to learn even more in the next few days.

American Composers Orchestra is grateful to the many organizations that make its programs possible, including the Aaron Copland Fund for Music, Alice M. Ditson Fund of Columbia University, Altman Foundation, Amphion Foundation, Arthur F. & Alice E. Adams Charitable Foundation, BMI Foundation, BMI, Inc., CANVAS, Cheswatyr Foundation, Cornelia T. Bailey Foundation, Edward T. Cone Foundation, Fan Fox and Leslie R. Samuels Foundation, Ford Foundation’s Good Neighbor Committee, Francis B. Goelet Charitable Trust, Frederick Loewe Foundation, Fromm Music Foundation, G. Schirmer/Wise Music Foundation, Give Lively Foundation, Gladys Krieble Delmas Foundation, the Hearst Foundation, Howard Gilman Foundation, Jephson Educational Trusts, Jerome Foundation, Koret Foundation, the League of American Orchestras, MacMillan Family Foundation, the Mayor’s Office of Media and Entertainment, Mellon Foundation, Neiman Marcus, New Music USA’s Organization Fund, the New York Community Trust (Musical Arts Fund, Clara Lewisohn Rossin Trust, and Edward and Sally Van Lier Fund), Pacific Harmony Foundation, PayPal Giving Fund, Sphinx Venture Fund, Steven R. Gerber Trust, TD Charitable Foundation, Turrell Fund, and the Virginia B. Toulmin Foundation.

Public funds are provided by the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, Office of Brooklyn Borough President Reynoso, and the National Endowment for the Arts.

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