Performances
& Events
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Virginia B. Toulmin Commission Concert
Karena Ingram, RAINN
Masterworks 7: Unbroken
Asheville Symphony
First Baptist Church of Asheville | Asheville, NC
Program
KARENA INGRAM, RAINN
WOLFGANG AMADEUS MOZART, Piano Concerto No. 12
DMITRI SHOSTAKOVICH, Symphony No. 10
Darko Butorac, conductor
The Virginia B. Toulmin Foundation Orchestral Commissions Program: American Composers Orchestra and League of American Orchestras have established two 30-orchestra consortiums, each supporting commissions by six women and nonbinary EarShot alumni. Each composer writes a 6–8 minute orchestral work and develops an educational or community-focused program presented in partnership with each orchestra. In the 2025–26 season, composers have their works performed by nineteen orchestras across the U.S.
RAINN was commissioned by the League of American Orchestras with the generous support of the Virginia B. Toulmin Foundation.
Virginia B. Toulmin Commission Concert
Karena Ingram, RAINN
Masterworks 7: Unbroken
Asheville Symphony
First Baptist Church of Asheville | Asheville, NC
Virginia B. Toulmin Commission Concert
Karena Ingram, RAINN
Masterworks 7: Unbroken
Asheville Symphony
First Baptist Church of Asheville | Asheville, NC
Program
KARENA INGRAM, RAINN
WOLFGANG AMADEUS MOZART, Piano Concerto No. 12
DMITRI SHOSTAKOVICH, Symphony No. 10
Darko Butorac, conductor
The Virginia B. Toulmin Foundation Orchestral Commissions Program: American Composers Orchestra and League of American Orchestras have established two 30-orchestra consortiums, each supporting commissions by six women and nonbinary EarShot alumni. Each composer writes a 6–8 minute orchestral work and develops an educational or community-focused program presented in partnership with each orchestra. In the 2025–26 season, composers have their works performed by nineteen orchestras across the U.S.
RAINN was commissioned by the League of American Orchestras with the generous support of the Virginia B. Toulmin Foundation.
Virginia B. Toulmin Commission Concert
Karena Ingram, RAINN
Masterworks 7: Unbroken
Asheville Symphony
First Baptist Church of Asheville | Asheville, NC
Staff Moderator: LaRob K. Rafael
Featured Speakers: Mali Irene, Mazz Swift
While creating and providing standard orchestral scores and parts remains a key component of being a broadly performed composer, more ensembles are increasingly exploring graphic notation and improvised scores. LaRob K. Rafael, Director of Composer Advancement at the American Composers Orchestra, will be joined by composers Mazz Swift and Mali Irene for a dynamic conversation on how to successfully navigate—and creatively thrive within—this expanding corner of new music.
REGISTRATION LINK
Staff Moderator: LaRob K. Rafael
Featured Speakers: Mali Irene, Mazz Swift
REGISTRATION LINK
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Virginia B. Toulmin Commission Concert
Brittany J. Green, TESTIFY!
Percussion & Rhythm with Andy Akiho
Oregon Symphony
Arlene Schnitzer Concert Hall | Portland, OR
Program
BRITTANY J. GREEN, TESTIFY!
ANDY AKIHO, Percussion Concerto
PYOTR ILYICH TCHAIKOVSKY, Symphony No. 4
The Virginia B. Toulmin Foundation Orchestral Commissions Program: American Composers Orchestra and League of American Orchestras have established two 30-orchestra consortiums, each supporting commissions by six women and nonbinary EarShot alumni. Each composer writes a 6–8 minute orchestral work and develops an educational or community-focused program presented in partnership with each orchestra. In the 2024–25 season, ten composers have their works performed by fifteen orchestras across the U.S.
TESTIFY! was commissioned by the League of American Orchestras with the generous support of the Virginia B. Toulmin Foundation.
Virginia B. Toulmin Commission Concert
Brittany J. Green, TESTIFY!
Percussion & Rhythm with Andy Akiho
Oregon Symphony
Arlene Schnitzer Concert Hall | Portland, OR
Virginia B. Toulmin Commission Concert
Brittany J. Green, TESTIFY!
Percussion & Rhythm with Andy Akiho
Oregon Symphony
Arlene Schnitzer Concert Hall | Portland, OR
Program
BRITTANY J. GREEN, TESTIFY!
ANDY AKIHO, Percussion Concerto
PYOTR ILYICH TCHAIKOVSKY, Symphony No. 4
The Virginia B. Toulmin Foundation Orchestral Commissions Program: American Composers Orchestra and League of American Orchestras have established two 30-orchestra consortiums, each supporting commissions by six women and nonbinary EarShot alumni. Each composer writes a 6–8 minute orchestral work and develops an educational or community-focused program presented in partnership with each orchestra. In the 2025–26 season, composers have their works performed by nineteen orchestras across the U.S.
TESTIFY! was commissioned by the League of American Orchestras with the generous support of the Virginia B. Toulmin Foundation.
Virginia B. Toulmin Commission Concert
Brittany J. Green, TESTIFY!
Percussion & Rhythm with Andy Akiho
Oregon Symphony
Arlene Schnitzer Concert Hall | Portland, OR
American Composers Orchestra’s EarShot Readings offer a rare opportunity to hear new orchestral works in progress, featuring both an open rehearsal and a public reading at Cary Hall, DiMenna Center for Classical Music. Led by Jeffery Meyer and mentor composers Huang Ruo, Valerie Coleman, and Curtis Stewart, this year's program features works by Benjamin T. Martin, Unfurling Dances; Ty Bloomfield, fragrances of something sweet; Coral Douglas, TERROR MANAGEMENT THEORY; Steven R. Gerber, Spirituals for String Orchestra, 1. Homage to Dvořák (“Goin’ Home”); Tyler Kline, West of the Sun; Seare Farhat, shadows rising soundless as night; and Kimberly Osberg, NIGHT LIGHTS. Join us June 11–12 for these readings.
REGISTRATION LINK
JEFFERY MEYER, conductor
BENJAMIN T. MARTIN, Unfurling Dances
TY BLOOMFIELD, fragrances of something sweet
CORAL DOUGLAS, TERROR MANAGEMENT THEORY
STEVEN R. GERBER, Spirituals for String Orchestra
1. Homage to Dvořák (“Goin’ Home”)
TYLER KLINE, West of the Sun
SEARE FARHAT, shadows rising soundless as night
KIMBERLY OSBERG, Night Lights
Mentor Composers:
Valerie Coleman
Huang Ruo
Curtis Stewart
ACO 2026 EarShot Readings are supported by the Mayor’s Office of Media and Entertainment.
Lead support for EarShot CoLABoratory is generously provided by TD Charitable Foundation. EarShot is a program of American Composers Orchestra completed in partnership with American Composers Forum, the League of American Orchestras, and New Music USA. The program is made possible with support from Elizabeth and Justus Schlichting, Mellon Foundation, Fromm Music Foundation, Jerome Foundation, and BMI Foundation, Inc. Additional support is provided by The Aaron Copland Fund for Music, Inc., Arthur F. & Alice E. Adams Charitable Fund, Alice M. Ditson Fund of Columbia University, G. Schirmer/Wise Music Foundation, the Stephen R. Gerber Trust, and the League of American Orchestras with support of the Virginia B. Toulmin Foundation.
Public funds are provided by the New York City Department of Cultural Affairs in partnership with the City Council, New York City Council Speaker Julie Menin, and the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature.
This year's ACO EarShot Readings showcase emerging composers in an open rehearsal and reading led by Jeffery Meyer, with mentors Huang Ruo, Valerie Coleman, and Curtis Stewart. Featuring works by Benjamin Martin, Ty Bloomfield, Coral Douglas, Steven R. Gerber, Tyler Kline, Seare Farhat, and Kimberly Osberg, it highlights today’s orchestral voices. Join us June 11–12.
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American Composers Orchestra
June 11, 2026
1:30 PM
DiMenna Center for Classical Music | New York, NY
Featured Artists and Works:
Malachi Brown
American Composers Orchestra’s EarShot Readings offer a rare opportunity to hear new orchestral works in progress, featuring both an open rehearsal and a public reading at Cary Hall, DiMenna Center for Classical Music. Led by Jeffery Meyer and mentor composers Huang Ruo, Valerie Coleman, and Curtis Stewart, this year's program features works by Benjamin T. Martin, Unfurling Dances; Ty Bloomfield, fragrances of something sweet; Coral Douglas, TERROR MANAGEMENT THEORY; Steven R. Gerber, Spirituals for String Orchestra, 1. Homage to Dvořák (“Goin’ Home”); Tyler Kline, West of the Sun; Seare Farhat, shadows rising soundless as night; and Kimberly Osberg, NIGHT LIGHTS. Join us June 11–12 for these readings.
REGISTRATION LINK
JEFFERY MEYER, conductor
BENJAMIN T. MARTIN, Unfurling Dances
TY BLOOMFIELD, fragrances of something sweet
CORAL DOUGLAS, TERROR MANAGEMENT THEORY
STEVEN R. GERBER, Spirituals for String Orchestra
1. Homage to Dvořák (“Goin’ Home”)
TYLER KLINE, West of the Sun
SEARE FARHAT, shadows rising soundless as night
KIMBERLY OSBERG, Night Lights
Mentor Composers:
Valerie Coleman
Huang Ruo
Curtis Stewart
ACO 2026 EarShot Readings are supported by the Mayor’s Office of Media and Entertainment.
Lead support for EarShot CoLABoratory is generously provided by TD Charitable Foundation. EarShot is a program of American Composers Orchestra completed in partnership with American Composers Forum, the League of American Orchestras, and New Music USA. The program is made possible with support from Elizabeth and Justus Schlichting, Mellon Foundation, Fromm Music Foundation, Jerome Foundation, and BMI Foundation, Inc. Additional support is provided by The Aaron Copland Fund for Music, Inc., Arthur F. & Alice E. Adams Charitable Fund, Alice M. Ditson Fund of Columbia University, G. Schirmer/Wise Music Foundation, the Stephen R. Gerber Trust, and the League of American Orchestras with support of the Virginia B. Toulmin Foundation.
Public funds are provided by the New York City Department of Cultural Affairs in partnership with the City Council, New York City Council Speaker Julie Menin, and the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature.
This year's ACO EarShot Readings showcase emerging composers in an open rehearsal and reading led by Jeffery Meyer, with mentors Huang Ruo, Valerie Coleman, and Curtis Stewart. Featuring works by Benjamin T. Martin, Ty Bloomfield, Coral Douglas, Steven R. Gerber, Tyler Kline, Seare Farhat, and Kimberly Osberg, it highlights today’s orchestral voices. Join us June 11–12.
Wednesday, July 1, 2026 at 7:30 PM
Declaration: Songs of Democracy, Voices of Hope
American Composers Orchestra
What does it mean to be an American today? That is the question posed by the curator, pianist and producer Lara Downes in Declaration: Songs of Democracy, Voices of Hope, featuring world premieres by three major composers. Valerie Coleman presents Life, a work for solo piano; Arturo O'Farrill offers the Liberty; and Christopher Tin closes with The Pursuit of Happiness. These latter two compositions are performed by the American Composers Orchestra, under the baton of Eric Jacobsen, with the aid of a select collective of artists and bands who represent a wide range of the American experience. Guests will include jazz bassist Christian McBride, vocalists Kurt Elling and Aoife O’Donovan, and more to be announced.
Lara Downes curates a trio of world premiere compositions reflecting on the modern meaning behind life, liberty, and the pursuit of happiness.
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Virginia B. Toulmin Commission Concert
Melody Eötvös, Red Dirt | Silver Rain
Stanford Philharmonia
Bing Concert Hall | Stanford, CA
Paul Phillips, conductor
The Virginia B. Toulmin Foundation Orchestral Commissions Program: American Composers Orchestra and League of American Orchestras have established two 30-orchestra consortiums, each supporting commissions by six women and nonbinary EarShot alumni. Each composer writes a 6–8 minute orchestral work and develops an educational or community-focused program presented in partnership with each orchestra. In the 2025–26 season, composers have their works performed by nineteen orchestras across the U.S.
Red Dirt | Silver Rain was commissioned by the League of American Orchestras with the generous support of the Virginia B. Toulmin Foundation.
The ACO partners with the Berkeley Symphony Orchestra for a two part New Music readings with esteemed American composers. Composers not only get the opportunity to hear their works performed by a live orchestra, but they will revise their works for a second reading after two months.
The ACO partners with the Berkeley Symphony Orchestra for a two part New Music readings with esteemed American composers. Composers not only get the opportunity to hear their works performed by a live orchestra, but they will revise their works for a second reading after two months.
The ACO partners with the Detroit Symphony Orchestra for their 2014 Earshot New Music readings titled "Classical Roots"
The ACO partners with the Detroit Symphony Orchestra for their 2014 Earshot New Music readings titled "Classical Roots"
The ACO partners with the Berkeley Symphony Orchestra for a two part New Music readings with esteemed American composers. Composers not only get the opportunity to hear their works performed by a live orchestra, but they will revise their works for a second reading after two months.
The ACO partners with the Berkeley Symphony Orchestra for a two part New Music readings with esteemed American composers. Composers not only get the opportunity to hear their works performed by a live orchestra, but they will revise their works for a second reading after two months.
The ACO and the Buffalo Philharmonic present the 2013 Jazz Composers Orchestra Institute (JCOI) Earshot New Music Readings featuring the some of the country's most talented emerging American Jazz composers.
The ACO and the Buffalo Philharmonic present the 2013 Jazz Composers Orchestra Institute (JCOI) Earshot New Music Readings featuring the some of the country's most talented emerging American Jazz composers.
22nd Annual Underwood New Music Readings and CommissionApril 8-10, 2013Up to six composers in the early stages of their careers will be selected to participate. One will be awarded a $15,000 commission to write a new work to be performed by ACO. There are no age restrictions; however, applicants should be at the early stages of their professional careers. Each composer may submit only one composition for consideration. Only works that will not have been performed or read by a professional orchestra nor received a public performance prior to the reading date are eligible. Do not submit recordings. Only works completed after January 1, 2008, will be considered. Compositions should be up to 15 minutes in length. Shorter works, or a portion or movement from longer works, will also be considered. Maximum instrumentation is: Winds 3*3*3*3*; Brass 4.3*3*1; Timpani + 4 Percussion, Harp, Keyboard; and Strings 10.8.6.6.4. (Standard orchestral doublings are permitted.) Works requiring soloists will not be considered. If selected, composers must provide professional, legible orchestral parts and scores prepared according to guidelines established by the Major Orchestral Librarians Association (MOLA) by March 1, 2013. MOLA guidelines can be found at:http://www.mola-inc.org/MOLAGuidelinesText.htm The quality of the score submitted is the primary evaluation criteria. It is therefore in the applicant’s best interest that the score be clear and accurate. Works employing electronics, MIDI, digital technology, and/or sound reinforcement in combination with the above instrumental forces will NOT be considered, neither will incomplete, illegible, or late applications. Composers who have applied previously for an UNMR are eligible to apply. However you must submit a new, complete application, including score and all required background information. Please contact the American Composers Orchestra with any questions concerning eligibility.At the Readings, composers will meet with ACO artistic staff and orchestra members—including conductor and music director George Manahan, artistic director Robert Beaser and mentor composer Christopher Theofanidis. The Readings are professionally recorded, and each composer is given a high-quality audio recording to be used for study purposes. Composers also participate in a series of professional development workshops covering such topics as promotion, score preparation, copyright and commissioning agreements, and other career essentials. Participants’ travel expenses are provided.
21st Annual Underwood New Music Readings and Commission June 1-3, 2012Up to six composers in the early stages of their careers will be selected to participate. One will be awarded a $15,000 commission to write a new work to be performed by ACO.The readings are the core of ACO’s ongoing professional training programs for emerging American composers.At the Readings, composers will meet with ACO artistic staff and orchestra members—including conductor and music director George Manahan, artistic director Robert Beaser and mentor composers Derek Bermel, Steven Stucky, and Melinda Wagner—and receive critical commentary and feedback. The Readings are professionally recorded, and each composer is given a high-quality audio recording to be used for study purposes. Composers also participate in a series of professional development workshops covering such topics as promotion, score preparation, copyright and commissioning agreements, and other career essentials. Participants’ travel expenses are provided.
21st Annual Underwood New Music Readings and Commission
The ACO partners with the San Diego Symphony for their 2012 Earshot New Music Readings
The ACO partners with the San Diego Symphony for their 2012 Earshot New Music Readings
The ACO partners with the Buffalo Philharmonic for their 2011 Earshot New Music Readings.
The ACO partners with the Buffalo Philharmonic for their 2011 Earshot New Music Readings.
19th Annual Underwood New Music Readings featuring new music by American composers.
The ACO partners with the Pioneer Valley Symphony for their 2010 Earshot New Music Readings.
The ACO partners with the Pioneer Valley Symphony for their 2010 Earshot New Music Readings.
The ACO partners with the Colorado Symphony Orchestra for their first season of Earshot New Music Readings
The ACO partners with the Colorado Symphony Orchestra for their first season of Earshot New Music Readings
The ACO joins the Memphis Symphony Orchestra for their very first Earshot New Music Reading in 2009
The ACO joins the Memphis Symphony Orchestra for their very first Earshot New Music Reading
The Underwood New Music Readings present an opportunity to selected young composers to have there works read and recorded by a professional orchestra. The event is open to the public and ACO reaches out to schools and other music organizations inviting them to attend the readings.
The American Composers Orchestra presents the 17th Annual Underwood New Music Readings, featuring readings by emerging American Composers.
The American Composers Orchestra presents the 17th Annual Underwood New Music Readings.
American Composers Orchestra announces its 16th annual Underwood New Music Reading Sessions to be held at the Skirball Center for Performing Arts in New York City on May 8 & 9, 2007. Up to eight composers in the early stages of their careers will be selected to participate. One will be awarded a $15,000 commission to write a new work to be performed by ACO.Writing for the symphony orchestra remains one of the supreme challenges for the aspiring composer. The subtleties of instrumental balance, timbre, effective part preparation, and communication with conductor and musicians are critical skills. But openings for composers to gain hands-on experience working with a professional orchestra are few. ACO's New Music Reading Sessions are designed to give emerging composers the opportunity to work with an orchestra singular in its commitment to the development of the American composer and to hear their work performed by some of the country's most outstanding contemporary music instrumentalists.Led by ACO Artistic Director Robert Beaser, the Readings are the core of ACO's ongoing professional training programs for emerging American composers.At the Readings, composers will meet with ACO artistic staff, orchestra members, and composer advisors and receive critical commentary and feedback. Members of ACO's composer advisory panel and guest composers participate in preliminary reviews of scores, post-Reading evaluations and selection of the composer to receive the commission award. The Reading are professionally recorded, and each composer a high-quality audio recording to be used for study purposes.ACO's related programs include an annual composer fellowship that allows a composer to work with ACO's artistic and administrative staffs over the course of a season; and Orchestra Tech, a multi-year project to explore the past, present and future applications of electronics and digital technologies in orchestral music. Through Orchestra Tech, works employing electronics and digital technology are now encouraged for the Readings.Lead support for the New Music Readings comes from Mr. Paul Underwood, the Fromm Foundation and The Helen F. Whitaker Fund. ACO's emerging composers programs are made possible with the support of Jerome Foundation, and with public funds from the National Endowment for the Arts, New York State Council on the Arts and the New York City Department of Cultural Affairs.
American Composers Orchestra announces its 16th annual Underwood New Music Reading Sessions
American Composers Orchestra announces its 15th annual Underwood New Music Readings Sessions and Commission. Up to eight composers in the early stages of their careers will be selected to participate. One will be awarded a $15,000 commission to write a new work to be performed by ACO at Carnegie Hall. The Readings are led by Artistic Director Robert Beaser and, and will be held on May 18 & 19, 2006 in New York City. Composers Paul Moravec and Stephen Paulus will serve as composer-mentors.
American Composers Orchestra announces its 15th annual Underwood New Music Readings Sessions and Commission.
American Composers Orchestra announces its 14th annual Underwood New Music Readings Sessions and Commission. Up to eight composers in the early stages of their careers will be selected to participate. One will be awarded a $15,000 commission to write a new work to be performed by ACO at Carnegie Hall. The Readings are led by Artistic Director Robert Beaser and Music Director Steven Sloane, and will be held on May 5-6, 2005 at Columbia University. The application deadline is November 10, 2004. The submission form, guidelines, and additional information is available at www.americancomposers.org/nmr or by calling ACO at 212 977 8495 x202/readings@americancomposers.org.
American Composers Orchestra announces its 14th annual Underwood New Music Readings Sessions and CommissionAmerican Composers Orchestra announces its 14th annual Underwood New Music Readings Sessions and Commission.