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John
Adams conducts ACO in "An Adams Apple:
John
Adams at 60"
at
Carnegie Hall, April 27
An
All-Adams Program and Birthday Celebration featuring Leila
Josefowicz, violin and Eric Owens, bass-baritone
On
Friday, April 27th at 8:00pm Carnegie Hall presents American
Composers Orchestra at Stern Auditorium/Perelman Stage performing An
Adams Apple: John Adams at 60. For its final Carnegie Hall
concert of the season ACO will celebrate John Adams' 60th birthday
and its own 30th Anniversary season and 2006-07 season
composer-performer focus with an appropriately festive concert -- John
Adams himself will conduct My
Father Knew Charles Ives, The
Wound-Dresser with bass-baritone Eric
Owens and the Violin Concerto
with soloist Leila Josefowicz
in her only New York City appearance this season. The three
compositions delve into three different periods of Adams' work to
give a wonderful ear-picture of this most distinguished and versatile
American composer.
ACO will present
Adams with its Distinguished Composer Award. Adams will be the
guest of honor at a benefit after-party immediately following the concert.

My
Father Knew Charles Ives
"But for
a few years and only a little distance to the north," writes
Adams, "[My father and Charles Ives] might well have met...I
imagine them exchanging a wry comment in front of the town post
office, or, rake in hand, lending each other some help after the
first October frost." Adams describes My Father Knew Charles Ives,
composed in 2003, as "a musical autobiography, an homage and
encomium to a composer whose influence on me has been huge." In
it, Adams paints a vivid musical picture of his personal roots as a
native of rural New England, as well as his poetic roots as a son of
the same quintessentially American soul as Charles Ives.

The
Wound-Dresser
"I recall
the experience sweet and sad," sings the baritone voice, in
Adams' setting of Walt Whitman's The Wound-Dresser. Adams
sets an adaptation of the Whitman text laying bare the narrator's
experiences of being a nurse during the Civil War. The music
evokes a landscape of injury, courage and the unresolved memories of
the battlefield. The meditative and intensely moving work was
written in 1988-89 and is a favorite of performers and audiences alike.
Eric
Owens, bass-baritone
Bass-baritone
Eric Owens' appearances have included performances
with the Philadelphia Orchestra, New York Philharmonic, San Francisco
Symphony, Cleveland Orchestra, Atlanta Symphony, Seattle Symphony
Orchestra, the National Symphony, Baltimore Symphony, Minnesota
Orchestra, Toronto Symphony, Pittsburgh Symphony and Detroit Symphony
among others. He has worked with today's leading conductors including
Lorin Maazel, Michael Tilson Thomas, Christoph von Dohnanyi, John
Nelson, and Robert Spano. Mr. Owens is a winner of a 1999 ARIA award,
the Plácido Domingo Operalia Competition, the Metropolitan
Opera National Council Auditions and the Luciano Pavarotti
International Voice Competition. A native of Philadelphia, Mr. Owens
studied voice at Temple University and the Curtis Institute of Music.
In addition to his performing career, he serves on the Board of
Trustees of The National Foundation for Advancement in the Arts, and
Astral Artistic Services.

Violin
Concerto
According to
Adams: "As if to compensate for years of neglecting the 'singing
line,' the Violin Concerto (1993) emerged as an almost
implacably melodic piece -- an example of 'hypermelody.' The violin
spins one long phrase after another without stop for nearly the full
thirty-five minutes of the piece." Among the many contemporary
violin virtuosi who have mastered this piece, Leila Josefowicz
"made the piece a personal calling card for years, " and,
once again under Adams's baton, will perform it with ACO. The Violin
Concerto earned Adams the 1995 Grawemeyer Award for Music Composition.
Leila
Josefowicz, violin
Violinist
Leila Josefowicz has appeared with many of the
world's most eminent conductors and prestigious orchestras, including
the Minnesota, Cleveland and Philadelphia Orchestras, the Los Angeles
Philharmonic and the Toronto, Vancouver, St. Louis, Atlanta, Houston,
Dallas, San Francisco, Indianapolis, Pittsburgh, Detroit, Cincinnati,
Milwaukee, Baltimore, New World and National symphonies, among
others. A regular, close collaborator with leading composers of the
day such as John Adams and Oliver Knussen, she is a strong advocate
of new music - a characteristic which is reflected in her diverse
programs and her enthusiasm for premiering new works. Ms. Josefowicz
is a recipient of the prestigious Avery Fisher Career Grant in 1994,
and a graduate of the Curtis Institute of Music where she studied
with Jaime Laredo and Jascha Brodsky.

John
Adams, composer/conductor
Composer/conductor
John Adams was born and raised in New England and began composing at
the age of ten. After earning two degrees from Harvard University, he
moved to Northern California in 1971 and has lived in the San
Francisco Bay area ever since. In 2002 Adams composed On the
Transmigration of Souls for the New York Philharmonic, a work
written in commemoration of the first anniversary of the World Trade
Center attacks, and received the 2003 Pulitzer Prize for Music. As a
guest conductor and as director of music festivals in the US and
Europe he has appeared with orchestras that include the New York
Philharmonic, the Cleveland Orchestra, the Chicago Symphony, the
Concertgebouw Orchestra and the London Symphony. As Artist in
Association with the BBC Symphony Orchestra, he regularly appears
with that orchestra as conductor in concerts in London's Barbican and
at the annual Albert Hall Proms concerts. Adams currently holds the
Richard and Barbara Debs Composer Chair at Carnegie Hall, concluding
his tenure in June 2007. In addition to the many musical
projects underway, Adams is also at work on a book of observations
about the American musical scene.

Tickets
& Info
ACO performs
"An Adams Apple: John Adams at Sixty" at Stern Auditorium
at Carnegie Hall on Friday, April 27, 2007 at 8:00 PM. Tickets are
$16 - $43, and may be purchased through CarnegieCharge at
212-247-7800, by visiting Carnegie Hall's website at www.carnegiehall.org,
or at the Carnegie Hall box office, 57th Street at 7th Ave.
Benefit tickets --
which include the concert and after-party at the stylish Felissimo
Townhouse -- are $275 and $500. www.americancomposers.org/special_events.htm
Major support
of American Composers Orchestra is provided by ACO Inner Circle,
American Symphony Orchestra League, Amphion Foundation, Arlington
Associates, ASCAP, ASCAP Foundation, Bay and Paul Foundations, BMI,
BMI Foundation, NY City Council Member Gale A. Brewer, Mary Flagler
Cary Charitable Trust, Citigroup Foundation, Edward T. Cone
Foundation, Consolidated Edison, The Aaron Copland Fund for Music,
The Alice M. Ditson Fund of Columbia University, Fidelity Foundation,
Fromm Music Foundation, Ann and Gordon Getty Foundation, Francis
Goelet Charitable Lead Trusts, Horace W. Goldsmith Foundation, The
Greenwall Foundation, The Irving Harris Foundation, Victor Herbert
Foundation, Jephson Educational Trust, Jerome Foundation, The J.M.
Kaplan Fund, John and Evelyn Kossak Foundation, Manhattan Borough
President Scott Stringer, Neil Family Fund, The New York Community
Trust, The New York State Music Fund established by the New York
State Attorney General at Rockefeller Philanthropy Advisors,
PricewaterhouseCoopers, The Rodgers Family Foundation, Fan Fox &
Leslie R. Samuels Foundation, The Susan and Ford Schumann Foundation,
Emma A. Sheafer Charitable Trust, the Virgil Thomson Foundation, Paul
Underwood Charitable Trust, The Sonata and Watchdog Charitable
Trusts, The Isak and Rose Weinman Foundation and The Helen F.
Whitaker Fund. ACO programs are also made possible with public funds
from the National Endowment for the Arts, New York State Council on
the Arts and New York City Department of Cultural Affairs. |